Blues music was born in Mississippi, came of age in Chicago, and went on to inspire generations of rock and rollers, ranging from the British invasion of The Beatles and The Rolling Stones to contemporary groups, such as The Black Keys. As one of America's contributions to the world of music, the blues took root in the fertile soil of the Mississippi Delta, a flood plain covering 7,000 square miles between the Mississippi and Yazoo rivers. Early blues greats in the Delta pioneered the strong rhythmic style of music, accenting the raw emotions of the lyrics by squeezing chords out of a guitar with a bottleneck or metal slide.
Blues music was born in Mississippi, came of age in Chicago, and went on to inspire generations of rock and rollers, ranging from the British invasion of The Beatles and The Rolling Stones to contemporary groups, such as The Black Keys. As one of America’s contributions to the world of music, the blues took root in the fertile soil of the Mississippi Delta, a flood plain covering 7,000 square miles between the Mississippi and Yazoo rivers. Early blues greats in the Delta pioneered the strong rhythmic style of music, accenting the raw emotions of the lyrics by squeezing chords out of a guitar with a bottleneck or metal slide.
A celebration of Mississippi’s rich musical heritage, the exhibition A Cast of Blues features 15 resin-cast masks of blues legends created by artist Sharon McConnell-Dickerson, as well as 15 color photographs of performers and of juke joints by acclaimed photographer Ken Murphy. Now visitors to the Delta Cultural Centercan experience the exhibition, A Cast of Blues, openingTuesday, September 1. It will run through October 20.
A Cast of Blues artist Sharon McConnell-Dickerson has said, “A life cast is like a 3-D photograph to someone who is blind.” McConnell-Dickerson, who is visually impaired, continues, “It captures the flesh, muscle, bone, hair, and subtle expressions of emotion. I wanted to discover the faces behind the music I love, so I went to Mississippi to map out the visages of the real Delta blues men and women.”
The artist will be on hand to talk with visitors about her art on October 10 from 9 a.m. to 3p.m. during the King Biscuit Blues Festival. In addition, the DCC’s Delta Drop-In programs from September 5 through October 17 will relate to this exhibit. Delta Drop-In programs are held at the DCC Visitors Center every Saturday from 11 to 11:30 a.m.
Ken Murphy’s photographs are selected from the groundbreaking book “Mississippi: State of Blues” (published 2010 by Proteus/Ken Murphy Publishing). A longtime Mississippi resident, Murphy captures the essence of the blues through highly detailed, panoramic color pictures. The exhibition’s compilation of casts and photos create a compelling portrait of the men and women who defined—and continue to shape—the tradition of Mississippi blues.
During the 1920s and 1930s, Charlie Patton, Son House, Robert Johnson, and scores of other bluesmen and women barnstormed across the Delta, playing plantations, juke joints, and levee camps scattered throughout the area. It was the next generation of Mississippi music artists led by Willie Dixon, Muddy Waters, and Howlin’ Wolf, who brought the Delta blues north to Chicago. The Rolling Stones, Led Zeppelin, and other rock and rollers picked up on the Delta sound and introduced it to the world. The musicians who stayed behind in Mississippi kept the tradition alive, passing it from one generation to another. Since the 1990s, Delta blues music has undergone a revival, with the rediscovery of overlooked artists—R.L. Burnside, T Model Ford, and Bobby Rush—and the rise of contemporary blues acts like the North Mississippi All-stars and the Homemade Jamz Blues Band.
The exhibition is fully accessible to all visitors, featuring Braille labels and educational materials, as well as a music playlist for gallery use and a closed-captioned film about the “Cast of Blues” project. In addition, visitors are encouraged to touch the resin-cast masks. Says McConnell-Dickerson, “As a sculptural and visual art experience, feeling the life-made casts of these individuals and their facial expressions transfers their experiences directly to our fingertips.” The 2008 documentary film, “Dial M for Mississippi: A Roadtrip through the Birthplace of the Blues,” also accompanies the exhibition.
Organized and toured by ExhibitsUSA, a national part of Mid-America Arts Alliance, the exhibition was curated by Chuck Haddix, music historian, author, radio personality, and director of the Marr Sound Archives at the University of Missouri-Kansas City. ExhibitsUSA sends more than 25 exhibitions on tour to more than 100 small- and mid-sized communities every year. Based in Kansas City, Missouri, Mid-America is the oldest nonprofit regional arts organization in the United States. More information is available at www.maaa.org and www.eusa.org.
Gallery hours at the DCC Visitors Center at 141 Cherry Street and the nearby DCC Depot at 95 Missouri Street are 9 a.m. to 5 p.m. Tuesdays through Saturdays. “King Biscuit Time,” the nation’s longest-running blues radio program, is hosted each weekday at the DCC Visitor’s Center by “Sunshine” Sonny Payne, from 12:15 to 12:45 p.m. “Delta Sounds,” hosted by DCC Assistant Director Thomas Jacques and Payne, is broadcast each Friday from 1 to 1:30 p.m.
For more information, interested persons can call the Delta Cultural Center at (870)-338-4350 or toll free at (800)-358-0972 or visit the DCC online at www.deltaculturalcenter.com.